I was immediately inspired and amazed. The look and sound of the plugin was amazing and this inspired me to dive deeper.
“Buchla and Moog started it all with their modular synthesizers in the 1960s. Doepfer made it affordable in the 1990s by introducing the Eurorack standard. Today, the Modular plug-in from Softube makes the modular synthesizer truly accessible to everyone.” – www.softube.com, Modular product page
Softube collaborated with Doepfer. They created the modular system in software such that the plugin works either as an effect or as an instrument plugin.
Anyone will be able to use Softube Modular whether they’re beginners or experts. Beginners learn the basics where experts design sounds in a familiar environment.
Softube Modular comes with a number of features:
Scalable GUI: small, medium, big
7 Doepfer modules
20+ utility modules
Add-on modules from: Intellijel, Buchla, 4ms and Doepfer
64 bit format
VST2, VST3, AU, AAX plugins
Windows and macOs support
OpenGL graphic support
Free Roli Seaboard Rise module
“Softube Modular is a revolutionary virtual modular synthesizer. I finally have a way to patch and experiment on the go with my laptop. So far its been incredibly fun, and I am looking forward to all the new modules they will add!” – Richard Devine, Electronic artist and music producer (Warp, Schematic) (www.softube.com, product page)
Great sound with an analogue vibe, which is really exciting
Full modular synth in the basic price
Easy to understand the modules
Superb manual with examples
Softube makes a “Tip of the week” content on the company blog and Facebook page
CPU load is very high
You have to pay extra money for additional modules
The Buchla module is very pricey
Types of Modules
There are two module types: sources and processors.
Source: it has output but no signal input, though they have control input
Processor: it has both output and input and can have control input
Voltage Controlled Oscillator, this produces a continuous sound. The types of sound can be waveforms such as sine, triangle, square and sawtooth. Each has a different flavour.
The square wave may have pulse width setting and PWM, also known as pulse width modulation.
Voltage Controlled Low Frequency Oscillator, this produces a continuous voltage that can go below audible frequencies in order to use as a modulator signal.
It’s useful to create vibrato or tremolo effects and also to create a filter wobble.
Similarly to the VCO, it has got basic waveforms. You can also modulate another VCLFO with another one to create more complex modulations.
Noise is a random voltage source. The white noise produces all the frequencies without any periodic waveforms. Noise is a good tool for creating snare drum or hi-hat types of sounds and also as a noise effect riser.
Consider this one for fattening up sounds.
ADSR, also known as Attack, Decay, Sustain, Release is a voltage source. It can be used to synchronise note events to an envelope generator.
ADSR is basically an envelope generator. It makes modulation changes related to time.
Voltage Controlled Filter, changes spectrum of sounds below a frequency point (high pass, HP), above (low pass, LP), or both below and above (band pass, BP).
Voltage Controlled Amplifier, is an amplifier with control inputs. It may be used to control volume levels, both for control voltage and audio signals.
This module mixes the signals.
This tool has steps each with an input signal and it produces outputs. It also has a clock input to set the tempo.
This module creates the sum and difference of two inputs and combines them in a single output.
You can wire the modules together with (patch) cables. We call a complete wiring a patch. The Eurorack Modular format uses eight inch jack cables.
Select the sawtooth wave for this patch and connect to the left output. In this example a sound generator produces a continuous sound.
VCO Modulated With a VCLFO
First, use the previous patch
Connect the VCLFO sine to the VCO’s CV2 input
Control the amount of the effect with the CV2 knob.
VCO, VCF, VCA
Connect the VCO‘s square wave to the VCF‘s audio input
Next, patch the VCA with the VCF and with the main left output
This is a classic patch, which musicians used in many synths, since the Minimoog Model D from the 1960s.
VCO, Noise, VCLFO, VCA, Mixer
Connect the VCO output to the Mixer
Patch the VCA out to the mixer
Connect the white noise output to the VCA, then the LFO to the VCA
Finally wire together the mixer’s output to the main Left input
This sound mainly consists of a VCO and Noise generator. Further in the patch a VCLFO modulates the VCA. The mixer handles the raw square wave and the noise through the VCA.
2 x VCO, RING MOD, VCLFO
Connect each square outs to the inputs of the Ring Mod
Then patch an LFO shape to each oscillators’ pulse width CV
This generates a buzzing noise with a wide frequency spectrum.
VCO, Sequencer, VCLFO
Connect the LFO‘s square to the Clock in of the Sequencer.
Then patch the Seq’s CV out to the oscillator’s CV1.
Wire together the VCO‘s square to the Left main output.
Twist each numbered pots on the Sequencer to change their pitch.
The LFO provides a clock source, to give the sequencer the tempo. Then the sequencer modulates the pitch of the VCO. Use the Quantize and Range options on the sequencer to give musically useful notes.
VCO, VCA, ADSR, Midi to CV
Create a simple one-bar loop in the DAW
Play some notes from the C-minor scale
Convert the notes with a Midi to CV module to pitch and gate signals
Feed them into the VCO and VCA and ADSR
The ADSR gives an envelope shape to the volume control of the VCA.
Feel free to experiment. There are infinite ways to connect the modules
Be careful with the volume. Especially when using headphones
Use the manual. It is very well written. It’s got great examples
In this beginners using Softube Modular, I introduced you the basic modules, then showed how to connect them. Use these connections to make your own sounds and patches.
In the next lessons, I’ll show you how to use add-ons and more esoteric modules.