Hotshots: Warm Mosque Light

Hotshots: Warm Mosque Light

Hotshots: Warm Mosque Light

Hotshots: Warm Mosque Light

Hotshots: Warm Mosque Light
Hotshots: Warm Mosque Light
Hotshots: Warm Mosque Light Hotshots: Warm Mosque Light Hotshots: Warm Mosque Light Hotshots: Warm Mosque Light Hotshots: Warm Mosque Light

Hotshots: Warm Mosque Light

In this series, we present
look-book of authentic photographs collected
by the writers and editors here at Envato Tuts+. We hope these pictures inspire
ideas, help kindle new projects, and give you a better understanding of visual
communication.

Today’s Image: Interior
of old Mosque in Edirne, Turkey
. This image is by sianstock
and
it’s available on Envato Elements.

Interior of old Mosque in Edirne Turkey
Interior of old Mosque in Edirne, Turkey.

A Closer Look at This Image

This black and
white photograph of a patch of light is immediately striking, but
why? Let’s take a look.

Light

The obvious thing
to talk about here is the light—it’s the focus of the image (and not, interestingly, the
window it’s shining though). The window does help to create the interest though;
it’s either leaded or has bars, which make an appealing shadow on the floor.
The carpet helps too, we can just see the pattern coming through.

We know this is a mosque. With the light coming through the window, there are many religious connotations to this image, too.

Composition

Whether a case of ‘right
place, right time’ or by design, the light here is just right and because of
this, we get a lovely long rectangle of sunlight on the carpet, filling the
frame.

Other than the stool (or
table perhaps) and a portion of the window, what we’re technically seeing is an
empty room, but the light and shadow become our photograph’s focus. It’s funny
to think that something not tangible is the subject of this image, yet despite
the lack of physicality you can almost feel the warmth. I imagine the carpet heating up, hot beneath us.

Colourless and Matte

Matte in black and
white photographs is a useful tool. Pulling up the darkest shadows (usually
done in with a tone curve) gives a matte effect to the image, which also smooths out
any potential noise in the shadows. The effect of this here is double, it’s also warming up
those shadows, and so the photo.

It’s usually hard
to convey warmth in a photograph with no colour, but when I see this, I don’t
see a cold image. The subject matter, time of day (quality of light) and matte
overlay all help to make this a warm, ‘cosy’ image.

Reading a Photograph

We’d love to hear your take on this photograph, and
if you’re not sure where to begin, then How to Read a Photograph will
get you started with how to analyse photography. Mostly, it’s just saying what
you see and how you feel about an image!